Jeff Lemire, Matt Kindt, and Paolo Rivera Join THE VALIANT – A New Prestige Format Limited Series Beginning in December!‏

Via press release:

THE VALIANT #1 – Cover by Paolo Rivera

Valiant Entertainment is proud to announce THE VALIANT – a new prestige format four-issue limited series beginning in December from New York Times best-selling writers Jeff Lemire (Green Arrow, Animal Man) and Matt Kindt (RAI, UNITY, Mind MGMT), and featuring interior artwork and covers by Eisner Award-winning artist Paolo Rivera (Daredevil)!

An entirely self-contained comics event spotlighting Bloodshot, Eternal Warrior, Geomancer, and a cast of heroes and villains from across the Valiant Universe, THE VALIANT is a visionary new adventure from three of the greatest creative talents in comics today.

The Eternal Warrior has protected the Earth for more than 10,000 years. A master of countless weapons and long forgotten martial arts, he is guided by the Geomancers – those who speak for the Earth. During his long watch, the Eternal Warrior has failed three times. Each time, the Geomancer was killed…and a new dark age for humanity began. Each time, he was unable to stop The Immortal Enemy – a monstrous force of nature. A civilization killer. A horror that appears differently each time it arrives…and whose seemingly only purpose is to bring disorder and darkness to the world. Now, the time has come for The Immortal Enemy to return once more. But, this time, the Eternal Warrior will be ready. This time, he has a force greater than any single warrior. This time, he has…THE VALIANT.

"I've been a huge fan of what Valiant Comics has been doing for the past two years, with a lot of my favorite creators, and favorite people, like Matt Kindt, Josh Dysart and Rob Venditti, doing incredible work for the publisher," said writer Jeff Lemire. "So, it's a huge thrill for me to now step into the Valiant Universe in a BIG way with the upcoming four-issue series, THE VALIANT, along with co-writer Matt Kindt, and one of the most incredible artists working in comics today, Paolo Rivera. THE VALIANT will not only serve as a great entry point for brand new readers to Valiant, but also enrich the existing universe and shake it up dramatically moving forward. Valiant has an incredible stable of characters to play with, and they will ALL play a role in THE VALIANT."

"Jeff and I have been threatening to work together for a long time," said writer Matt Kindt. "And we did a little bit on Sweet Tooth with the few issues I did, but this is the first time we've really created something from scratch and written a long piece of work together. Collaborating on writing isn't something I normally get excited about, but Jeff and I just got coffee after a con one night and started brainstorming different things we could do and, by the end of the night, the waitress got a big tip and we'd written an outline for this epic story. It was like being transported to your best friend's kitchen table when you're 11 and cooking up fantastic comic book ideas. But in this case, when we were done, we got Paolo to draw it. We couldn't be more excited. I was just a fan of his on his now classic run on Daredevil. He's just a great cartoonist, you know? He can tell a story so well – and I think we gave him plenty of story to draw."

"I've heard nothing but good things about Jeff and Matt, and their script does not disappoint," said artist Paolo Rivera. "One of the major things that brought me to this project was the epic scale. Most of the stories I've worked on, even when action-packed, have been on the level of individuals. While our main characters are still the heart, this story spans epochs and realms, with consequences that, quite literally, affect the entire Earth."

"I worked with [Valiant Editor-in-Chief] Warren [Simons] briefly at Marvel, but he's been doing his best to lure me (and my Dad) to Valiant since 2012," added Rivera. "We've been doing mostly covers since then, so it's awesome to be drawing comics again. That, and it's fun to draw Bloodshot getting blown to bits."

THE VALIANT #1 – Interior Pencils by Paolo Rivera

A New York Times best-selling writer and artist, Jeff Lemire is the award-winning author of some of the most acclaimed graphic novels and comic book series in recent memory, including the Essex County trilogy, Sweet Tooth, and The Underwater Welder. A recipient of the American Library Association's prestigious Alex Award and the Joe Shuster Award, Lemire's work has also been nominated for the Eisner, Harvey, and Ignatz Awards. Most recently, his work for DC Comics has included critically acclaimed runs on Animal Man, Green Arrow, and Justice League United, as well as the creator-owned series Trillium for Vertigo. THE VALIANT will be Lemire's first full-length work for Valiant Entertainment.

Matt Kindt is the New York Times best-selling writer and artist of many acclaimed graphic novels and comic book series, including Mind MGMT, 3 Story: The Secret History of the Giant Man, Pistolwhip, Red-Handed: The Fine Art of Strange Crimes, Revolver, and Super Spy. A Harvey Award winner and Eisner Award nominee, his other works include Justice League of America and Suicide Squad for DC Comics, and Marvel Knights: Spider-Man for Marvel Comics. In addition to THE VALIANT, Kindt currently writes two ongoing series, RAI and UNITY, for Valiant Entertainment.

Paolo Rivera quickly gained notoriety for his painted artwork on Marvel Comics' Mythos before moving on to provide distinctive and striking covers for nearly all of the publisher's top series. With his father Joe Rivera inking his work, Rivera penciled the best-selling relaunch of Marvel's Daredevil with writer Mark Waid – a run that won the father-son duo two Eisner Awards for their work. THE VALIANT will mark Rivera's first full-length comics' work since Daredevil in 2012. He can be found online at and

This December, the Geomancer's sacred mission begins anew as superstar creators Jeff Lemire, Matt Kindt, and Paolo Rivera bring together THE VALIANT – a new comic book milestone, coming soon from Valiant Entertainment.

THE VALIANT #1 (of 4)
Art & Cover by PAOLO RIVERA
$3.99 | T+ | 32 pgs.

BLOODSHOT – Character Study by Paolo Rivera

GEOMANCER – Character Study by Paolo Rivera

IMMORTAL ENEMY – Character Study by Paolo Rivera

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2 Cent Reviews - Everything part 1

Hey everyone and welcome back to Oz' 2 Cent Reviews, where our reviews are short (about 2 SENTences worth..get it?) and get straight to the point.  I took a nice holiday break but I'm really eager to get back in it!  So without further ado, this week is Transfusion 2, Saga 8 and 9, Wolverine and the X-Men 23, New Avengers 1 and 2, X-Factor 250, Nowhere Men 2, Fantastic Four 3, Multiple Warheads 3, Justice League 15, Justice League Dark 15 and Flash 15.  Come back sooner then usual because I still have another half-pile to go!

 Nowhere Men #2: I've dropped this book. There are two parts to this story, one that bores me and the other that I enjoy. The negative is the latter reminds me too much of the movie Prometheus. They even have a David type character. Pass.
 Transfusion #2: Smoky, beautiful art throughout. Story: struggle of the final living forms on Earth, the vampires. Versus the robots. Both their sustenance is blood and the human race is just about extinct. What's a poor bloodsucka to do?
 Multiple Warheads #2: Original as always, accompanied with great art. So much scattered treasure in some panels it had my eyes working. You have to liberate your imagination to truly enjoy all the merits of this book. Brandon Graham filled my 2012 quota for stoners actually making it in the industry.
 Justice League #15: Earlier in the months, this issue was solicited to feature the addition of new members Shazam and The Atom. That got me really excited. So where the fuck are they? Instead, we get part 1 of 5 Atlantis Rising (or whatever) which just felt like a sub plot from Flashpoint. The Atlanteans are attacking again...yawn. Really Geoff Johns? You pulled a switcheroo on us in the solicits to push a Fish-Man story? Weak.

 The Flash #15: When will the exposition stop? Flash did nothing the entire issue but sleep. This book is supposed to be about the fastest man alive but it's moving too slow. I get they are baking a love pie here but fuck man....four months of this monkeying around? Yes I went there. Close to considering another drop here.
 Wolverine & The X-Men #23: I'm really glad this arc is done. I'm ready to be entertained again. Stop wasting Nick Bradshaw's talents on this circusy shit. Circus of Crime, these guys ain't.
 Justice League Dark #15: Where did Amethyst go? I really feel like I missed an ish. ReFocusing: The death of magic starts here. The team travels to a mystically rich dimension and a few of our anti-heroes feel the burn. Tim Hunter is the key to everything and Constantine is the man to turn him but the young mage continues to refuse his birthright. Which is bad timing since, as always, their lives hang in the balance.

 New Avengers #1: Hickman sure does love using the set-up method in his premier issues. If you're not a fan of comics for the written word, then I wouldn't suggest trying New Avengers. Anyway, Black Panther is the focal point here, but it ends with an assembly.
 New Avengers #2: It's more talking heads in issue two but keeping in mind the cast involved, it was pretty fucking awesome. Black Bolt steals the entire issue with two panels.  All goodness and future potential aside, I still noticed a giant lack of Beast. What up with that Hickman?

 Fantastic Four #3: A much better show this month around. Finally, things start happening to the first family. Interesting things. Tentacley things...
 Saga #8: This book always leaves me clamouring for more. The last page mind-fucks always shock your scrotum from the inside. The story is going to be insane once fully collected, especially for new readers. Saga, book of the year hands down.
 Saga #9: The all-Will issue. Also, it's the formation of a new zoo crew and they are pretty much the anti-thesis to our main cast. Hopefully, things can end happy and they can all become a big family. But knowing BKV, there will be blood. Always.

X-Factor #250: So X-Factor is awesome again. I'm still not sure what the intention of BREAKING POINT was since almost everyone that left seems to be back. Not complaining though. This first chapter (to the current arc) starts off thumping. Thumping everywhere.
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2 Cent Reviews Pre-Weekend: Everything first week December

Today, I'll take a look at my entire pile for the first week of December.  These include Avengers #1, X-Factor #248, Dial H #7, World's Finest #7, Earth 2 #7, Animal Man #15, Swamp Thing #15, Great Pacific #2, Storm Dogs #2, and The Hypernaturals #6.  Come back after the weekend for another helping of reviews for the second week of December releases.

 Avengers 1:  This book is dripping epicness.  I don't want to get into it too much, but the story is VERY reminiscent to Giant Sized X-Men #1.  The last page knocked me off my socks.  In Hickman we trust!
 X-Factor 248: So remember a few issues ago when Pip the Troll got shot in the head?  Well, I better not say anything or else I'll find Peter David at my door with a baseball bat (he hates people spoiling his books).  The team gets set up for something big and it all leads to their milestone issue, #250.
 Swamp Thing 15:  Rotworld, The Green Kingdom part 3.  The final War against Arcane continues as Holland makes his way to Gotham City with the aid of Deadman.   But not without resistance and not without a price.  Alec finally arrives to the batcave to find a very familiar face, one that has taken a shocking manifestation.
 Animal Man 15:  Rotworld, The Red Kingdom part 3.  Buddy Baker continues to build alliances and a crew of insurgents in this chaotic future.  A certain classic monster shows up to lend a hand and tips the gang off to the location of a powerful being who can help the crew stand a chance against Arcane.  The location is Metropolis...but it's not who you THINK!
 The Hypernaturals 6:  The rookies shine in this one.  The storyline is getting so complex and multi-layered that a re-read for better comprehension is in order.  Still, it went by fast which is always an indication of a good book.
 Great Pacific 2:  Lots of big ideas, lots of intelligent and interesting real-world concepts.  But is it entertaining?  Maybe one day when I'm older and I spend half my time sitting in front of the news channel.  But for now?  Not really.  Dropped.
Storm Dogs 2:  Hine is amazing at world-building.  Never thought I'd enjoy a comic with 22 pages of talking heads.  Yet every sentence was fascinating.  This will satisfy your sci-fi fix without a doubt.
 Dial H 7:  How is that a book with such sub-par art keeps me entertained so much each month?  As a comic fan, I am more of a visual-reader but I do recognize and enjoy good writing and this book has that in spades.  The hunt for a new dial continues and takes our two mismatched heroes on a quest out to sea.  Meanwhile, we meet the next antagonist in the series and he has some pretty funky powers.
 Worlds' Finest 7:  Damian continues guest starring and it's a pleasure.  Not a bad issue, but as typical of the title, not much happens.  Still entertaining enough to warrant another issue, but my patients does grow thin.
Earth2 7:  The slow process of the book can be quite boring but I have to admit that I am excited about upcoming characters.  Mr. Terrific.  Red Tornado.  Sandman.  Doctor Midnight.  Add those to the already "gathered" Hawkgirl, Green Lantern, The Flash and The Atom, and you've got a start to gathering the JSA.  I just wish they would get together faster.  All this politics is doing my head in.

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Creator Roundup

This week, Dan Hipp's a hero, Phil Noto's a kitty, Terry Moore fights for his supper, JH Williams III is mainstream, Joe Hill puts up a door, Sean Phillips shows off, Skottie Young casts a spell, Peter David introduces his daughter to Star Wars, Jeremy Bastian is a freak, Chrissie Zullo draws some women, Jeff Lemire is full on DC, Dustin Nguyen goes beyond the JL, Francesco Francavilla goes to space, Will Wheaton, Felicia Day and Jamie McKelvie collaborate, Ryan Ottley rsides in the DMZ and Dustin Weaver os Astonishing.

- This week's
Dan Hipp:

Phil Noto draws Kitty Pryde:

Terry Moore wants you all to pre-order the Rachel Rising Vol. 1 trade:
You can now order the first Rachel Rising  TPB: The Shadow Of Death, at Amazon for early discount. It ships next month, March. I encourage you to order from them if a store is not convenient, because we want Amazon to like Rachel. Please post any good reviews you may have on Rachel, or any of my books there. It really helps with ratings and my future ability to list new books there in the future. Thanks!

- JH Williams III got a spotlight in USA Today:
Co-writer/artist J.H. Williams III and co-writer W. Haden Blackman most fondly remember the comics growing up that focused more on story than just beating up bad guys, and that's what they aim for when crafting the adventures of Kate Kane and her cowled alter-ego in
Gotham City.

"It wasn't always 'Let's get to the villain' — there was actual character interactions that were very profound and ended up having some sort of comment on the bigger action stuff," Williams says. "That shows in the work we're doing now."

The current Batwoman character has made a major impact in the DC Universe since first appearing in the maxiseries 52 six years ago. The Detective Comics "Elegy" run from Williams and writer Greg Rucka featuring her was an instant classic, and the portrayal of the lesbian superheroine garnered a GLAAD Award for Outstanding Comic Book in 2010. (The new Batwoman comic is up for the same honor this year as well.)

Joe Hill installed some new doors in his place:

- Here's a sweet new
Sean Phillips:

Skottie Young has a bunch of new sketches this week, including this one of Hermione:

Peter David Introduced his daughter Caroline to the original Star Wars movies with an interesting result:

We just completed a long-overdue aspect of nine-year-old Caroline’s education by finishing up showing her the only three “Star Wars” films that really matter: Eps 4, 5 and 6. She actually sobbed copiously when Vader died. You know, we spend so much time bitching about Lucas doing this, that and the other think that sometimes we forget the power these films can pack, especially for younger viewers.

Then we asked her the obvious question. Which of the three was her favorite?

Without hesitation she said, “Return of the Jedi.” I said, “Because of the Ewoks?” She said, “No, because of Leia. This is the first movie she kicked ass.” And I thought about that and realized she was right.

In “A New Hope,” Leia is captured, tortured, waits for rescue. Yes, granted, she immediately takes charge while castigating the guys, shooting Stormtroopers, and leading them into the dumpster. But once they escape the Death Star, she basically allows the Millennium Falcon to lead the bad guys right to the rebel HQ (remember, she says the Empire let them escape; it should have been obvious why) and then stands there silently hoping they don’t get blown up while a slew of men take care of business; she doesn’t have a word of dialogue for the last fifteen minutes except to welcome Luke and Han back.

Jeremy Bastian has a new print that he's selling on his convention round:

- Yay!
Chrissie Zullo!

Jeff Lemire takes over Justice League Dark:
Following the JUSTICE LEAGUE DARK/I,VAMPIRE crossover in issues 7 & 8, JUSTICE LEAGUE DARK will have a new writer.

Beginning with issue #9, superstar Jeff Lemire (ANIMAL MAN, SWEET TOOTH) will be taking over the reins. We asked Lemire about following the sage Peter Milligan and what he’s got planned and here’s what he has to say:

“This is my dream gig at DC Comics, no doubt about it. The characters in Justice League Dark are my absolute favorite in the DC Comics stable, and I can’t believe I’m actually getting a chance to write John Constantine, Zatanna and Deadman (as well as a few new team members!).

I have a huge amount of respect for Peter Milligan. I’ve loved everything he’s done since his original SHADE run in the pre-Vertigo days of DC to his current run on Hellblazer and JL Dark. It’s a bit daunting to take over this title from someone who I revere as much as Peter, but at the same time I can’t help but be inspired by the work he’s already done with this book.

Dustin Nguyen presents Justice League Beyond:

- Francesco Francavilla posted this

Will Wheaton, Felicia Day and Jamie McKelvie are making a Fawkes comic:
At long last, it can be revealed: Felicia and I wrote a Fawkes comic together.

Felicia Day and The Guild are back, along with costar Wil Wheaton, for a brand-new story spotlighting Fawkes, the dashing, debonair, and douchey leader of the evil guild Axis of Anarchy! His relationship with Codex threatened to tear the Knights of Good apart until he was thrown off a balcony for his treatment of her. Set after season 4 of the show, this issue reveals how Fawkes deals with his split from Codex and navigates the aggressive personalities of the Axis, and follows his journey to his surprising state when he returns in season 5!

I’m incredibly proud of this, and I can’t wait for people to read it.
It comes out on May 23, and is the first issue set during the series. Covers by Paul Duffield and Emma Rios, art by Jamie McKelvie.

- Ryan Ottley does Brian Wood's DMZ for the

Dustin Weaver's been busy on Astonishing X-Men:

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Review: Animal Man #5

My goodness, can this book get any better? Seriously? There has to be a saturation point of awesomeness somewhere along the line, but Jeff Lemire and Travel Forman are pulling out all the stops on Animal Man. The action in issue 5 is insane, and the freaky horror makes the book so gripping.

As Buddy and Maxine return from their trip through the red, Cliff and Ellen are being attacked by the ridiculously warped agent of the rot, and buddy gets there just in time.

Maxine is able to save the day by utilizing the aid of a bunch of animals, but her intervention has dire consequences. The last page sets up the inevitable crossover with Swamp Thing., which is great, because that book is awesome as well. I love the interconnectedness between the two books, with Animal Man being part of the Red, Swamp Thing being of the Green and the Rot, which both are fighting, are the Black.

I also love the family dynamic in Animal Man, and it plays out well in this issue. As a happily married man, one of my pet peeves is the lack of solid, committed families in comics. I love that Buddy is totally and unequivocally committed to his family. The stuff with his daughter, Maxine is really cool as well. I love the idea that a little girl knows more about her Father’s powers than he does. Maxine is like a cross between Layla Miller and Valeria Richards.

Travel Foreman’s art is fantastic. I know not everyone likes his style, but it suits the book really well. I love the thin but hard lines, and his horror elements are just downright creepy. Animal Man is, for me, the best thing DC is publishing, and Issue 5 just solidifies its pole position even further.
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Review: Animal Man #5

My goodness, can this book get any better? Seriously? There has to be a saturation point of awesomeness somewhere along the line, but Jeff Lemire and Travel Forman are pulling out all the stops on Animal Man. The action in issue 5 is insane, and the freaky horror makes the book so gripping.

As Buddy and Maxine return from their trip through the red, Cliff and Ellen are being attacked by the ridiculously warped agent of the rot, and buddy gets there just in time.

Maxine is able to save the day by utilizing the aid of a bunch of animals, but her intervention has dire consequences. The last page sets up the inevitable crossover with Swamp Thing., which is great, because that book is awesome as well. I love the interconnectedness between the two books, with Animal Man being part of the Red, Swamp Thing being of the Green and the Rot, which both are fighting, are the Black.

I also love the family dynamic in Animal Man, and it plays out well in this issue. As a happily married man, one of my pet peeves is the lack of solid, committed families in comics. I love that Buddy is totally and unequivocally committed to his family. The stuff with his daughter, Maxine is really cool as well. I love the idea that a little girl knows more about her Father’s powers than he does. Maxine is like a cross between Layla Miller and Valeria Richards.

Travel Foreman’s art is fantastic. I know not everyone likes his style, but it suits the book really well. I love the thin but hard lines, and his horror elements are just downright creepy. Animal Man is, for me, the best thing DC is publishing, and Issue 5 just solidifies its pole position even further.
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Creator Roundup

This week Dan Hipp draws Travolta, Nick Spencer talks about his guidance councillor, Jeff Lemire rejoices over a lost dog, Charles Soule discusses process, JH Williams III flogs a bit of art, Jason Aaron shows off his mightily impressive beard, Peter David pens a bill of rights, Jim Rugg does OC Weekly, Dave Johnson draws a rabbit, Frank Miller opens his mouth, Brandon Graham confirms the rumours and Skottie Young draws Wormwood.

- Let’s begin with our weekly fix of

Nick Spencer talks to CBR about Morning Glories. Here’s a taster:
Let's talk Ms. Hodge. We've been "place setting" a lot of characters in these opening arcs for the book from the teachers to Abraham to the kids and their families. Is Ms. Hodge one of the last major piece of the cast puzzle, or are there a few players out there to come?
No, there's still a lot of characters to be introduced that I consider to be...if not core cast then certainly major members of the supporting cast. There are a lot of new faces to be introduced, and we'll start to see some of them in the third arc and then some more in the fourth. She is a very important player, and she's somebody who's going to have a major impact on the story. I think that's pretty clear from this issue. But she's not the last one.

Aside from her growing specific role in the lives of the kids, did you just need a nice member of the faculty for balance?
I don't know. What was really interesting to me about the response has been how many people seemed to take to her immediately. It's always tricky when you're introducing a new character, and we've obviously just been through five "spotlight" issues that covered the background and lives of our main cast members. So I was a little nervous in going from that to introducing somebody new and giving her the spotlight. In my first conception of this issue, she didn't play that big of a role. She would make her first appearance, but my original intention was to focus more on the Glories themselves again. But as I got into writing it, she made a big impression on me. So I decided to stick with her and make the entire issue about her.
I think that the response to her is very strong and overwhelmingly positive, and I think that speaks to the fact that we've established a lot of empathy for the main cast. We're just feeling from the Glories really that there might be someone on this campus that isn't a homicidal maniac. That was kind of nice. Everyone let out a sigh of relief that there might be one person there who might have a little more to them. So she's an interesting piece to throw into the mix because she's clearly very different from Ms. Daramount or Mr. Gribbs or Nurse Nine. She clearly has a very different outlook and approach. And whether or not that means she has the best of intentions is a separate issue. But at the very least, she's not wickedly smiling at the idea of torturing one of our kids. So if nothing else, she's an interesting voice in the mix.

- Jeff Lemire’s very first graphic novel, ‘Lost Dogs’ is back in print. Here’s the cover:

Charles Soule talks about the process of making comics and the 27 covers. Here’s a sample:
The process of getting a comic together can take some strange turns.  From time to time, I’ll have an idea for an element of a book, whether it’s a line of dialogue or a plot twist or just about anything else.  I’ll be thrilled about this idea, because it will seem like the best ever.  Then, eventually I see the finished version, and I’m like hooooooly crow… mistake.  If I’m lucky, it’s not too costly, and won’t require massive rewrites or new art.  It’s just part of the process, though.  As I’ve said a bunch of times, you don’t always have all your good ideas at once, and being able to recognize and discard bad ideas is incredibly important.

With 27 Second Set, we decided to continue the series’ tradition of using homages to famous images of musicians as the covers for each issue.  First Set used members of the 27 Club.  Second Set is using one-hit wonders.  As I write this, Issues 1 and 2 are on shelves, as well as available digitally, for those who prefer reading on smartphones, tablets and laptops (Issue 3 is out next week, November 23).  The cover for Issue 1 is an homage to Vanilla Ice.  The cover for Issue 2 references The Buggles.  It’s one of my favorite covers of the whole series – Scott Forbes really nailed it. 

JH Williams III is selling some art this saturday. here’s a sample:

Jason Aaron sat down with CBR to discuss Scalped and other things:

Peter David authored a Fan/Pro bill of rights for convention behaviour. Its pretty ace. Here’s a sample:

I think it would be an interesting idea to produce a list of simple, basic rights that everyone attending conventions–both pros and fans–should expect. I mean, you’d think that they would be common sense; things that people would just know. On the other hand, the 10 Commandments were pretty common sense too, when you think about it, so I figure if it’s good enough for God…

Obviously there’s the one that tops them all, which naturally I call the Prime Directive:

Fans and Pros have the right to be treated by each other with the same courtesy that they themselves would expect to be treated. Fans and Pros who act like jerks abrogate the right to complain when they themselves are treated like jerks.
But there’s others, such as:
Guest Pros being sponsored by the convention have a right to written confirmation of all terms of their convention attendance at least ninety days before the convention, with travel arrangements finalized no later than thirty days prior. Travel in such instances should never be the expense of the Pro with subsequent expectation of reimbursement unless the Pro agrees to this…in which case, the Pro better be damned sure the organizer is good for it, because otherwise he’s on his own.

Fans and Pros have a right to walk through convention space without being impeded by other attendees who are either taking photographs or posing for photographs. Particularly applicable when large numbers of costumed individuals are posing for a large group of photographers. It’s a convention, not the red carpet at the Oscars. Should such blockages occur, fans and pros desiring to get from Point A to Point B should have the right of way and walk directly through the picture-taking area without the slightest concern about ruining other people’s pictures. If they weren’t courteous enough to worry about you getting to your panel, you shouldn’t have to worry about them getting their photograph of five slave Leias and a Wookie.

- Jim Rugg does some pen drawings for OC Weekly:

Dave Johnson does Usagi Yjimbo:

Frank Miller caused a stir this week on his thoughts about the Occupy Wall Street movement. Here’s his post in its entirety, but check out the blog, because the comments are worth a read:
Everybody’s been too damn polite about this nonsense:
The “Occupy” movement, whether displaying itself on Wall Street or in the streets of Oakland (which has, with unspeakable cowardice, embraced it) is anything but an exercise of our blessed First Amendment. “Occupy” is nothing but a pack of louts, thieves, and rapists, an unruly mob, fed by Woodstock-era nostalgia and putrid false righteousness. These clowns can do nothing but harm America.
“Occupy” is nothing short of a clumsy, poorly-expressed attempt at anarchy, to the extent that the “movement” – HAH! Some “movement”, except if the word “bowel” is attached - is anything more than an ugly fashion statement by a bunch of iPhone, iPad wielding spoiled brats who should stop getting in the way of working people and find jobs for themselves.
This is no popular uprising. This is garbage. And goodness knows they’re spewing their garbage – both politically and physically – every which way they can find.
Wake up, pond scum. America is at war against a ruthless enemy.
Maybe, between bouts of self-pity and all the other tasty tidbits of narcissism you’ve been served up in your sheltered, comfy little worlds, you’ve heard terms like al-Qaeda and Islamicism.
And this enemy of mine — not of yours, apparently - must be getting a dark chuckle, if not an outright horselaugh - out of your vain, childish, self-destructive spectacle.
In the name of decency, go home to your parents, you losers. Go back to your mommas’ basements and play with your Lords Of Warcraft.
Or better yet, enlist for the real thing. Maybe our military could whip some of you into shape.
They might not let you babies keep your iPhones, though. Try to soldier on.

Brandon Graham announced that the teaser we saw last week was indeed for the King City trade. Here’s the cover:

Skottie Young has been keeping up his daily sketches, including this one of Wormwood:

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Lemire and Snyder Talk Red & Green

MTV Geek caught up with Jeff Lemire and Scott Snyder at NYCC to discuss Animal Man and Swamp Thing.

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Creator Roundup

This week Dan Hipp is on the same bat (adventure) time, Joe Hill passes the blame, Eric Canete channels the power cosmic, Phil Hestor goes bionic, Brian Wood previews barbarity, Georges Jeanty answers a bunch of questions, Bryan Lee O’Malley tells a tale about a fly, Jeff Lemire is not as vain as Grant Morrison, Fabio Moon gives a nod to Chris Claremont and Brandon Graham decides to collaborate. As always, if you want me to follow a specific creator, let me know in the comments.

- As always, let us begin with a bit of Dan Hipp:

Joe Hill shares his involvement in The Cape series from IDW:
Big credit to the creative team on the book – artist Zach Howard, colorist Nelson Daniel, and scripter Jason Ciaramella. My name is on the cover, because the comic spun out of my short story from 20th CENTURY GHOSTS. Also I’m a creative consultant on the thing, a job which largely consists of looking at Jason’s scripts and saying, “this fuckin’ rules,” then looking at Zach’s art and saying, “This fuckin’ kills.” But Zach, Nelson, and Jason are the dudes who have really brought this thing to life, with a healthy mix of ink, imagination, and blood. Thanks to them for treating my characters so well – or not, as the case may be – and big thanks to everyone who checks it out.

Eric Canete has a bunch of commissions he did up on his blog including this one of Galactus:

- Phil Hester and Jon Lau
talk about their Bionic Man series from Dynamite Entertainment: This is the second time both of you have collaborated on a Kevin Smith screenplay–the first time being with Green Hornet, of course. What were the major differences this time, with The Bionic Man?

Phil Hester: The source material is a bit older. Kevin wrote his Bionic Man screenplay quite a long time ago, so there were a lot of technical updates we needed to do, especially regarding computer and cell phone advances. As far as the actual working process goes, very little difference. I adapt the screenplay, Kevin edits my pass, I incorporate his notes, Kevin does a final polish, and then poor Jonathan has to draw it all.

Jonathan Lau: Yes, very much so–at least poor Jonathan is glad to be on this team. Phil knows what I enjoy working on and allowed me to have at it. The only thing missing is the live-action movie that coincides with the comic book, as with Green Hornet. I’m a huge fan of the original Six Million Dollar Man and the Bionic Woman–were you familiar with the shows before you started on the project?

PH: Sure. I was a kid when both shows originally aired. I spent many a recess running in slow motion and lifting imaginary cars off of imaginary trapped grandmas while humming “nuh-nuh-nuh-nuh!”

JL: I have vague memories of the show, so I couldn’t say I am a die-hard fan. But Lee Majors will always be the Six Million Dollar Man for me. And very similar to Phil, I did those things too. It’s just that when leaping off high cabinets, gravity isn’t in slow motion for me, so I go “nuh-nuh-nuh-n-OWWW!”

Brian Wood threw up this promo for his new Conan series with Becky Cloonan:

- Georges Jeanty indulged fans in a great Q & A on the Slayalive forums. Here is but a taste:
Q: The new character Severin seems to burn out a vampire's demon leaving a human corpse. Did you have any special instructions on how this should look when he uses his power or were you given total creative freedom in how it would appear?

Georges: Not really. that was something that developed over time. I knew I wanted to have something distinctive for Severin's power. There was talk of it being electricity, which was fine, but I also wanted to draw stuff that I don't often do. Jack Kirby became famous for an effect that was later named after him: Kirby Krackle. It's all those little black spots grouped together in some creative design. That became more of a style thing for Sevrin's power. Usually the visuals are left up to the artist. It's one of those things where if you get good people, then leave them to do their work.

Q: How has it been drawing the more real world C.S.I. scenes we've seen so far and the interrogation of Buffy scene in the new issue.

Georges: That's more true than you think. We are in an age in the Buffyverse where 'reality' is starting to creep in. Seriously. If you'll notice in Seasons 1 through 7, we pretty much had Buffy in Sunnydale and that was for all intents and purposes her world. It became kind of a surreal world where you accepted all the weird goings on (actually you wondered how in the world could anyone live in Sunnydale?!). Yes, there was that time at the beginning of Season 3 where she left, but starting with Season 8 Buffy and the crew were jet-setting all over the globe, bringing her into the 'real world', when you think of it. Granted Angel Season 5 had glimpses of Buffy in the real world, but you never 'saw' her. Now that she's out in the world and the general population knows about Slayers, things feel a little more real. The interrogation room scene just drives home how reality was creeping in. Look out for a lot more 'reality' in the future.

Bryan Lee O’Malley shared this cool little cartoon:

Jeff Lemire discusses a bunch of stuff with IO9 including Animal Man:
So, what's your master plan for Animal Man?
If you read the whole Vertigo Animal Man series of 89 issues or whatever, each writer has a completely different take on his origin. If you try to put them all together, they contradict one another. I had to pick and choose to make up a new origin that makes sense to new readers.
It's about taking stuff like the family aspect of Grant Morrison's run and concepts like The Red and boiling them down into one new package that's really accessible to readers who didn't know anything about him. That was my challenge as the writer.

In the first issue, you cast yourself as a magazine reporter interviewing Animal Man. Grant Morrison famously wrote himself into Animal Man. Will Jeff Lemire the DC character be appearing in future issues?
No, that was just my cheeky nod to the whole idea. The next few issues are really cool, with Buddy and [his daughter] Maxine going into The Red for the first time. They bring the reader with them to meet these characters called The Totems, who are all the former avatars of The Red. They're new characters I created, they're like The Red's version of The Parliament of Trees. When they meet The Totems, they begin to understand what Maxine is, what The Red is, all these things readers have been wondering about.

Fabio Moon posted some art in honour of Chris Claremont’s upcoming appearance at Rio Comicon. Here’s the first:

Brandon Graham posted a ton of stuff this week including updates on Multiple Warheads and a bunch of preview pages for his new Image book Prophet. It’s his first collaboration with an artist that’s not himself (It’s Simon Roy):
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